String Sections
Here you will find everything related to the installation, activation, updates, release notes and manuals of our Virtual Instruments and Applications.
General Information
Product & License Management
How To...
- I Don't Hear a Difference When Adjusting the "Players Accuracy" Parameter... Is It Not Working?
- Why Are There Few Presets for the Strings Sections?
- Can I Use the Room Simulator for SWAM Solo Instruments?
- Can I Reuse a MIDI Preset Created with SWAM Solo Instruments?
- I Can't Achieve a "Scratch" Sound Effect Like in Solo Instruments, Is That Correct? / Increasing Bow Pressure Doesn't Produce a Scratch Sound Like in Solo Instruments.
- see all 13 articles >
Grow Your Knowledge
Compatibility
Known Issues
- Ensure the Divisi Number Is Different When Adding Multiple Sections of the Same Instruments Playing at Unison
- Why Do I Sometimes Hear Portamento, Especially in Fast Runs? / How to Control and Limit Portamento in SWAM String Sections.
- Experiencing CPU Issues When Running Multiple Instances of SWAM String Section. / Is My Computer Powerful Enough for SWAM String Sections?
- Are My SWAM Instruments Vanishing from the Ambiente Room Simulator a Bug?
Ensure the Divisi Number Is Different When Adding Multiple Sections of the Same Instruments Playing at Unison
v(1.0)
When adding new instances of string sections, there's an automated process that repositions the new sections in the virtual space to prevent overlapping and automatically applies an anti-phasing setup to avoid potential phase cancellation issues.
However, in certain circumstances (e.g., duplicating a track in some DAWs), the automation may not take effect. It's a good practice to double-check that the instruments are never overlapping in the virtual room space in the Room Simulator and that they have different anti-phasing (Divisi) settings, at least between the instances that are duplicated and playing in unison.
You can check and edit the anti-phasing settings on the advanced parameters /instrument / Divisi Anti-Phasing. This precaution ensures that when you use multiple instances of the same instrument to create a unified, layered sound, they do not interfere with each other, maintaining the desired sound quality and preventing unwanted phase-related artifacts.