How To...
How to perform common or specific configurations
How To...
- I Don't Hear a Difference When Adjusting the "Players Accuracy" Parameter... Is It Not Working?
- Why Are There Few Presets for the Strings Sections?
- Can I Use the Room Simulator for SWAM Solo Instruments?
- Can I Reuse a MIDI Preset Created with SWAM Solo Instruments?
- I Can't Achieve a "Scratch" Sound Effect Like in Solo Instruments, Is That Correct? / Increasing Bow Pressure Doesn't Produce a Scratch Sound Like in Solo Instruments.
- The Vibrato Is Less Pronounced Compared to Solo Instruments, Is That Correct? / I Can't Hear the Vibrato Well.
- Can I Use My Own Reverb or External Effects? / Can I Turn Off the Internal Reverb?
- The Number of Musicians Is Too Small to Create a Section for a Large Symphonic Orchestra / How Can I Choose More Musicians?
- Can I Play SWAM String Sections in Chords? / Are They Polyphonic Instruments? / Can I Play a Full Orchestra Pad?
- Do You Have Any Templates for Using SWAM String Sections with a DAW?
- Why Do I Need to Accept/Give Permissions for "Incoming Network" After Installation?
- Can I Move Just One Section to a Different Room?
- Best Practices for Adding Multiple Solo Instruments of the Same Type
The Number of Musicians Is Too Small to Create a Section for a Large Symphonic Orchestra / How Can I Choose More Musicians?
v(1.0)
The sections in this product are designed to represent small sections or "divisi" of a larger orchestra. To create the sound of a full symphonic orchestra, you'll need to add multiple sections, each positioned in different locations within your virtual room or stage.
Even though these sections may play the same melodic line, it's strongly recommended to achieve a more authentic orchestral sound by re-performing the same part with a slightly different intention or by editing the MIDI sequence. This approach ensures that the performance of each section is not perfectly identical to the others, adding natural variations and nuances that you would find in a real orchestra.
By combining multiple instances of SWAM String Sections and introducing these subtle differences, you can create a rich and dynamic symphonic orchestra sound. The key is to simulate the diversity that arises from individual musicians playing together, each with their unique interpretation and expressiveness.
In summary, the process of building a symphonic orchestra with SWAM String Sections involves adding multiple sections, reinterpreting the parts, and introducing variations to achieve a lifelike and diverse orchestral sound.
Other articles in this category
- I Don't Hear a Difference When Adjusting the "Players Accuracy" Parameter... Is It Not Working?
- Why Are There Few Presets for the Strings Sections?
- Can I Use the Room Simulator for SWAM Solo Instruments?
- Can I Reuse a MIDI Preset Created with SWAM Solo Instruments?
- I Can't Achieve a "Scratch" Sound Effect Like in Solo Instruments, Is That Correct? / Increasing Bow Pressure Doesn't Produce a Scratch Sound Like in Solo Instruments.
- The Vibrato Is Less Pronounced Compared to Solo Instruments, Is That Correct? / I Can't Hear the Vibrato Well.
- Can I Use My Own Reverb or External Effects? / Can I Turn Off the Internal Reverb?
- The Number of Musicians Is Too Small to Create a Section for a Large Symphonic Orchestra / How Can I Choose More Musicians?
- Can I Play SWAM String Sections in Chords? / Are They Polyphonic Instruments? / Can I Play a Full Orchestra Pad?
- Do You Have Any Templates for Using SWAM String Sections with a DAW?
- Why Do I Need to Accept/Give Permissions for "Incoming Network" After Installation?
- Can I Move Just One Section to a Different Room?
- Best Practices for Adding Multiple Solo Instruments of the Same Type