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How to perform common or specific configurations
How To...
- I Don't Hear a Difference When Adjusting the "Players Accuracy" Parameter... Is It Not Working?
- Why Are There Few Presets for the Strings Sections?
- Can I Use the Room Simulator for SWAM Solo Instruments?
- Can I Reuse a MIDI Preset Created with SWAM Solo Instruments?
- I Can't Achieve a "Scratch" Sound Effect Like in Solo Instruments, Is That Correct? / Increasing Bow Pressure Doesn't Produce a Scratch Sound Like in Solo Instruments.
- The Vibrato Is Less Pronounced Compared to Solo Instruments, Is That Correct? / I Can't Hear the Vibrato Well.
- Can I Use My Own Reverb or External Effects? / Can I Turn Off the Internal Reverb?
- The Number of Musicians Is Too Small to Create a Section for a Large Symphonic Orchestra / How Can I Choose More Musicians?
- Can I Play SWAM String Sections in Chords? / Are They Polyphonic Instruments? / Can I Play a Full Orchestra Pad?
- Do You Have Any Templates for Using SWAM String Sections with a DAW?
- Why Do I Need to Accept/Give Permissions for "Incoming Network" After Installation?
- Can I Move Just One Section to a Different Room?
- Best Practices for Adding Multiple Solo Instruments of the Same Type
The Vibrato Is Less Pronounced Compared to Solo Instruments, Is That Correct? / I Can't Hear the Vibrato Well.
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Certainly. In an orchestral context, it's common for the vibrato to be less pronounced compared to solo instruments. This is primarily due to the nature of orchestral playing, where a group of musicians comes together to perform as a unified ensemble.
In an orchestra, it's rare to find wide, highly noticeable vibrato as you might hear in a solo performance. Each musician in the ensemble brings their individual style and expression to the piece, resulting in a collective vibrato that can be described as the nearly chaotic interplay of many different vibratos.
The goal of orchestral vibrato is not to stand out as a soloist but to contribute to the overall texture and depth of the ensemble sound. It's a part of the orchestra's unique and rich character, where subtle nuances combine to create a harmonious whole.
So, if you find that the vibrato in SWAM String Sections is less pronounced than you might expect, it's an accurate representation of the typical vibrato in an orchestral context. It's important to understand that the focus here is on recreating the realism of a full orchestral experience rather than highlighting individual virtuosity.
Other articles in this category
- I Don't Hear a Difference When Adjusting the "Players Accuracy" Parameter... Is It Not Working?
- Why Are There Few Presets for the Strings Sections?
- Can I Use the Room Simulator for SWAM Solo Instruments?
- Can I Reuse a MIDI Preset Created with SWAM Solo Instruments?
- I Can't Achieve a "Scratch" Sound Effect Like in Solo Instruments, Is That Correct? / Increasing Bow Pressure Doesn't Produce a Scratch Sound Like in Solo Instruments.
- The Vibrato Is Less Pronounced Compared to Solo Instruments, Is That Correct? / I Can't Hear the Vibrato Well.
- Can I Use My Own Reverb or External Effects? / Can I Turn Off the Internal Reverb?
- The Number of Musicians Is Too Small to Create a Section for a Large Symphonic Orchestra / How Can I Choose More Musicians?
- Can I Play SWAM String Sections in Chords? / Are They Polyphonic Instruments? / Can I Play a Full Orchestra Pad?
- Do You Have Any Templates for Using SWAM String Sections with a DAW?
- Why Do I Need to Accept/Give Permissions for "Incoming Network" After Installation?
- Can I Move Just One Section to a Different Room?
- Best Practices for Adding Multiple Solo Instruments of the Same Type